What are the films or people that had impacts on you and deeply inspired you to become a filmmaker?

I think that my stories are influenced more of experiences instead of other movies or other directors, a place in where I find

inspiration is in the theater, circus, or dance because there the esthetic event become in a life experience for the interprete like

the audience, both put the body at the same time. A director that works in these areas is Daniele Finzzi Pasca, a poet of the imagen for me.

I admire a lot of filmmakers or some aspects of them. The Intelligence in the Fabián Bielinsky´s stories, the photography of Alfonso Cuaron,

and some esthetics risks of Aranofsky. They have gestures that I really enjoy.

Your animated film "Anacronte" won 2 awards of  the best animated film and best original music in the

"American Golden Picture International Film Festival".

Does it your first favorite kind of filmmaking or you like to make another kind of films like fiction or documentary too?

The first Raul´s idea about Anacronte was to make surrealistic paint and later that idea become in a short film, the animation was

the better way to respect the germ and give us the possibility to expand the story´s potential.

I haven´t preference now about the format but this change in each phase of my life. Now we are working in live-action

and animation projects of sci-fi for +16 and that gives to me the possibility to be the target of my projects.

What were some of the challenges you faced in making this film?

Find the look of Anacronte´s character was one of the most difficult processes, we needed to find the design of that presence that

represents the face of humanity´s conflicts and that, hasn´t a reference in the real life. After many tests, our Art Director Nelson Luty

showed us the last design, and Raúl and I stay in the silence between nervousness and happiness. We had embodied the guy!

Another challenge was doing possible some scenes with crowds walking in an infinity plain of painting in an oniric world,

this was a big point of encounter between concept art and technical process. We had to be smart to do a storyboard conscious of the

next steps to avoid a catastrophe in the future process. Our Storyboard artist Franco Guzzo did a great job and he was very patient with us.